I agree with your last statement. The main reason Cartier-Bresson and others were able to create such powerful images was the fact that their cameras didn't get in the way.
The X100 is a good example of the principle working in the other direction. While the subject can relax more when approached with a more modest device, the photographer is also influenced by camera choice, and the X100 is a perfect example of taking better photos simply by feeling good about the camera.
The X100 is a good example of the principle working in the other direction. While the subject can relax more when approached with a more modest device, the photographer is also influenced by camera choice, and the X100 is a perfect example of taking better photos simply by feeling good about the camera.
(edit) Used 'camera' too many times :)